How might sound and music help to explore imagined worlds where we live together, knowing that we disagree in relation to gender, sexuality and abortion?

What does it sound like when we disagree about gender, sexuality, or abortion?

A protest?

Click Image Above to Listen

Silence at the dinner table?

Click Image Above to Listen

Small talk at work?

Click Image Above to Listen

Sounds are a part of encountering difference around gender, sexuality and abortion.

What would it look like to draw these sounds?

(Silence)

Would the sound you draw look different if you found it...

...a comfortable sound?

...an uncomfortable sound?

How do these sounds make you feel?

Placing yourself in a moment of disagreement around gender, sexuality or abortion, do these sounds make you feel... Comfortable? Uncomfortable?

Move sounds into the boxes below...

Buzz
Splash
Grating
Loud
Sharp
Mellow
Comfort
Neutral
Discomfort

Making Soundscapes Across Difference…

In Vancouver, participants drew sounds that made them feel…

Buzz
Splash
Grating
Loud
Sharp
Mellow
Comfort
Neutral
Discomfort

 

Participants then came together to make a soundscape from their sound drawings.

This is what they created….

The Sounds

Click the Sound Images Below to Listen

Comfortable
Tin Whistle – Comfortable
Comfortable
Banjo – Comfortable
Neutral
Glockenspiel – Neutral
Uncomfortable
Bongos – Uncomfortable
Uncomfortable
Kalimba – Uncomfortable

The Drawings

Blocks
Bzz
Curves
Flowers
Jagged
Jellyfish

The Instruments

Banjo
Banjo
Bongos
Bongos
Glockenspiel
Glockenspiel
Kalimba
Kalimba
Tin Whistle
Tin Whistle
Ukelele
Ukelele

And when you put it all together...

This graphic score was put together as a response to the soundscape created by participants in the Vancouver workshop. It is a transcription of the sounds heard in the recording, with the various instruments playing represented by different colours. Shapes were drawn to reflect the qualities of the sounds produced: whether they were long or short, soft or loud, consonant or dissonant, etc.

Decisions about the shapes were also affected by whether participants had deemed the sounds comfortable, neutral or uncomfortable. For example, as the sound moves into the ‘uncomfortable’ section from 1.06 the shapes become more jagged to reflect the loud, sharp, grating sounds that participants were making. There are many ways this soundscape could have been transcribed.

How would you represent these shapes through sound? Would you imagine it differently?

Imagine you're at a protest, at the dinner table, or in the office…

How might sound and music help to explore imagined worlds where we live together knowing that we disagree in relation to gender, sexuality and abortion?

Drag & Drop